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Stop guessing what to charge
Learn how to think about pricing, packages, and the difference between a casual bar gig and a premium event buyer.
Coaching for working musicians and bands
I book $5K gigs.
I'll show you how.
Yes, you read that right. And I did it with less than 1,000 followers. The truth is, I can transform your music career using simple strategies that took me a decade to learn on my own. You get the opportunity to learn this in the next 30 days.
You get results, or you don't pay.
✓ $2K to $5K wedding & corporate gigs
✓ 1M Spotify streams
✓ 20+ years performing
✓ No agent needed
$2K to $5K
earned on individual wedding & corporate gigs
1M
Spotify streams across released music
4×
performed at Carnegie Hall
20+
years of live music performance
The real problem
Being talented isn't the same as being easy to book.
Plenty of great musicians stay stuck in low-paying gigs because nobody ever taught them the business side: positioning, pricing, promotion, outreach, and how to look valuable before they ever step on stage.
↗
Look as good as you sound
Build stronger promo materials, videos, bios, websites, and an EPK that make buyers take you seriously.
✦
Find better opportunities
Create a repeatable process for approaching planners, companies, venues, casinos, agencies, and private-event buyers.
How it works
Three steps to turn your music into a stronger business.
This isn't a generic course. The plan gets built around your act, your market, your current materials, and the gigs you actually want.
1
Diagnose your positioning
We look at your skills, existing gigs, current rate, materials, market, and what kind of buyer should realistically hire you.
2
Build the professional package
We tighten your offer, pricing, bio, website, EPK, photos, videos, set options, and the story you're presenting to buyers.
3
Go after better gigs
We build the outreach, follow-up, quoting, and negotiation process you can actually use every week.
Real
gig experience.
gig experience.
I've performed professionally in casinos, weddings, and corporate events, and I've earned over $320,000 in my career playing high paying live events. I did it without a social media following.
I've also spent years writing, recording, and releasing music, reaching 1M streams, and along the way I learned the business side of turning skill into something people will actually pay for.
I've taken the hard knocks of the music industry and come out the other side. It took a lot of work and a lot of letdowns. This coaching turns years of that pain into progress, so you don't have to learn it the slow way.
Here's the short version of how it worked. I landed one or two decent casino gigs, and just by performing in the right rooms, people kept asking me to play. Put yourself in the right venues and the bookings follow. On top of the fee, I've consistently made $300 to $1,200 a night in tips, and I'll show you exactly how.
And you don't need an agent. I had one for the first half of my career and did the second half completely on my own. My highest paying gigs have all come without an agent, because once you know how to find the buyers and present yourself, you don't need someone taking a cut to do it for you.
Why learn from me
I didn't learn this from a “music business guru.”
I've been a professional musician for over 20 years as a singer/guitarist/pianist, have 1M Spotify streams, have performed at Carnegie Hall four times, and have worked on music with professionals connected to major-label and major-artist projects.
- Professional casino performance experience
- Wedding and corporate-event experience
- Songwriting, recording, piano, guitar, and vocals
- Marketing, websites, sales, and client acquisition
- Practical coaching built around your actual goals
Who this is for
For musicians who know they're capable of more.
Solo acts, duos, and full bands. Everything here applies to a group the same way it applies to one person, and a four piece splits the cost four ways, so for a lot of bands this is the easiest way in.
This is probably for you if...
- You can already sing or play at a solid level, solo or as a band
- You've played gigs but feel underpaid or inconsistent
- You want wedding, corporate, casino, resort, or private-event work
- Your marketing doesn't reflect how good you really are
- You're willing to reach out, follow up, and treat music like a business
It may not be for you if...
- You're looking only for beginner instrument lessons
- You expect gigs to show up without doing the outreach and the shows
- You don't want to market yourself at all
- You expect social media fame to be the entire strategy
- You aren't ready to take professional opportunities seriously
Free 20-minute music career audit
Let's figure out why you're not getting the gigs you want.
Tell me what you play, what kinds of gigs you're getting now, what you're charging, and where you want to go. I'll help you identify the biggest gap between your talent and your current opportunities.
Review your current positioning
Identify your best higher-paying market
Map the first steps to improve your booking system
30-day coaching guarantee
Start with a free call
No pressure. If I think I can help after the audit, I'll explain what 1:1 coaching could look like.
Book my free music career auditThe guarantee: finish the 30 days, and if you don't walk away with a clear, repeatable system for landing higher paying gigs, you don't pay.
FAQ
A few things to know.
Are you saying I'll make $2,000 to $5,000 per gig?
Yes. But those figures describe gigs from my own wedding and corporate event experience. Your market, skill level, act, materials, outreach, pricing, and execution all affect those results. It's definitely possible if you follow the correct strategies and make the correct compromises.
Do you also teach singing?
Yes. Depending on your goals, our work can include vocal performance, repertoire, confidence, presentation, and live-performance coaching, but the core program is about helping musicians build a stronger professional career.
What types of gigs can we focus on?
Wedding, corporate, private-event, casino, resort, hotel, venue, restaurant, agency, and similar professional opportunities can all make sense depending on your act and market.
Do I need an agent to get these gigs?
No. I had an agent for the first half of my career and went solo for the second half, and my highest paying gigs have come without one. Agents are useful when you don't know how to reach buyers or present yourself. Once you do, you keep the commission and you control the relationship with the people hiring you.
I'm in a band. Does this work for us?
Yes, and it's often the best deal on this page. Positioning, pricing, promo materials, and outreach work the same for a group as they do for a solo act, so the whole band goes through the program together. Split the cost among four members and each person is paying a fraction of what a soloist pays for the same system.
Do I need a big following?
No. For many event and private-performance opportunities, being professional, easy to understand, appropriately positioned, and easy to book can matter more than having a huge public audience.
Your talent should look as professional as it sounds.
Let's turn what you already know how to do into a clearer offer, stronger presentation, and better path to paid gigs.
Book your free music career audit